Frequently Asked Questions
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Punch needle embroidery. I hand-embroider all my tapestries myself on primitive linen cloth stretched over canvas bars. I finish the edges with a whip stitch; and I use wool, cotton, and silk yarn.
Sometimes people don’t recognize my work as punch needle because the stitches look flat. I show the back of the work, and the tufted “front side” is hidden.
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My largest tapestries (the Gospel of the Working Class series) took more than 200 hours.
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Oxford Punch Needle - I have used the #10 Regular in the past, but now I use the #14 Mini. I have people use the #13 "mini with heels" in my workshops. You can get other punch needles for cheaper from most craft retailers.
Oxford Punch Needle handbook - this free resource from Oxford may be helpful.
WEBS - I don't have a great local yarn store, so I will sometimes order yarn from this online retailer. DK or worsted weight yarn works best for the mini punch needle. I linked to a page of cotton yarn, which is a reasonably-priced natural fiber that's very beginner-friendly. eBay is a great resource for bulk high-quality yarns, and you can also try art supply thrift/reuse stores, estate sales, and supply swaps at your local craft circle.
TheWoolFarm linen backing - this is the primitive linen cloth I use.
Monk's Cloth - a cheaper alternative to linen.
The Weaving Loom - a tapestry weaving resource that helped me back in the day.
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I fluctuate between on-and-off wage work in coffee shops, design and illustration commissions, grants and honorariums, teaching workshops, selling tapestries, and selling prints.
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I organize with the Democratic Socialists of America and my local Action for Cuba committee.
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An incomplete list:
Contemporary Palestinian artist Kholoud Hammad (buy her work!!!)
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